Contemporary African photography is an area where African artists have long expressed their individuality as far back as the 1840's and today it is still a very established and dynamic form of artistic manifestation.
Seydou was born in Bamako in 1921. He learnt his trade firstly from a French photographic supply store owner and then from his mentor, Mountaga Traore.
He set up his first studio in 1948, retiring in 1977 but only after spending 15 years in service to the Socialist government who installed him as official photographer.
Keita's work provides us with a chronological peep hole into the make-up of Bamako society in all its transitions. He used props in the studio, like radios and sewing machines, which give us insight into the cultural changes Mali was experiencing.
His eloquent work is characterized by an exquisite sense of gesture and skillfull posing which reflect the intimacy he managed to capture with his subjects.
He often used fabric backgrounds so that his compositions had layers of pattern upon pattern conveying a sense of richness.
There is sheer joy to be found in studying a Keita studio portrait; the innovative and competent technical aspects of light, framing and composition counterpoint the fascination of the subject at hand; the costumes, the props, the accessories, managing to convey at once his client's social identity and status while enthusiastically embracing modernity.
An archive of over 10 000 prints entered world vision in the 1990's achieving Keita world recognition.
Malick Sadibe took mesmerizing photos of his community members during the decade before independence and after. Compared to Keita, his subjects are more engaging and have a more active role in constructing the image of themselves that they would like portrayed.
A likeness could be obtained and captured for eternity.
The photo opposite is from a fashion show in New York where Sadibe is involved in a more light hearted manner to assist the launch of a new range.
James Barnor began working out of Jamestown, Accra in 1947 when he established a photographic studio called "Forever Young". He is attributed with setting up the first colour processing facilities in Ghana in the 1970's.
He was also a photojournalist for the Daily Graphic and Drum Magazine, covering the daily life of people both in Ghana and later in London where he recorded the advent of popular culture surrounding the Beatles and other such icons.
He lives in London still practicing his craft and lecturing, a colourful character by all definitions.
Samuel is known for his self-portraiture, something that eventuated when he fled Nigeria at a very young age to live in the Central African Republic.
He set up a photographic studio in Bangui and began this series by taking photos of himself in various costumes set against cloth backgrounds to send back to his mother in Nigeria.
His images have become very direct, sometimes provocative and increasingly experimental.
J.D. Ojeikere started capturing images of Nigerian culture in the 50's. For 35 years he has captured a record of the fabulously ornamental, almost sculptural hairstyles of African women, revealing them as an art form. Never digressing from his subject, he has provided us with a fascinating catalogue, a unique ethnographic body of work that must be considered a national treasure.
There are many indigenous African photographers who have made significant contributions to image-making in Africa, blending Western technology with African perspectives and social commentary.
Modisakeng Mohau... b 1986 in Soweto, Johannesburg
Through his powerful images he examines how people understand their cultural, political and social roles in post-colonial Africa and post-apartheid South Africa.
Zanele Muholi, b 1972, South Africa. Zanele is a South African artist and visual activist working in photography, video and installation.