El Anatsui b 1944, Anyako, Ghana
This contemporary African artist lives and works between his birthplace Ghana and his adopted place of residence, Nigeria after taking up a teaching post in Nsukka in 1975. Seldom has an individual from Africa had such impact on world aesthetics.
Currently the Professor of Sculpture at the UNN (University of Nigeria at Nsukka), El Anatsui also runs his own commercial workshop where, along with his team of helpers, he creates his world-renowned, mixed-media wall sculptures.
From the moment these metal tapestries were seen abroad, they have captured the attention of and delighted the souls of all who gaze on them. Luxuriantly sumptuous with their metallic hues, rich in detail and design and monumental in scale, they transcend the world’s perception of ‘art from Africa’.
His cloths hang in numerous prestigious museums and public collections: The Pompidou Centre in Paris, the British Museum in London, the National Museum of African Art, Washington and the de Young Museum, San Fransisco to name but a few. Every year he is featured in group exhibitions all across the globe. He continues to be represented by October Gallery in London who first hung his wall sculptures in 2002 with pieces called 'Woman's Cloth' and 'Man's Cloth' and by Jack Shainman in New York.
He has received many awards in his lifetime but most notably the “Golden Lion for Lifetime Achievement Award” from the 56th Venice Biennale; a most worthy recipient.
One of the things that makes him so unique is that he is not attached to the final outcome. He regards the making and the hanging of the finished piece a collaborative process letting his teammates and the curators hang them the way they see fit for that moment in time and space.
It’s a fabulous notion, his tapestries become living things, fluid by form, nature and aspiration. A piece can be hung with folds, straight, down on the floor so it has no gathers, scrunched or hung with lighting that allows shadows to play on the wall behind it.
The repetitively hand-stitched bottle caps evoke a traditional feel of cultural handcraft. Although the material comes from mass produced products, there is no industrial feeling to it and there is a sense of emotion and consideration in the work.